October 3, 2022October 3, 2022heathershottakesLeave a Comment on “Smile” is a satisfyingly sinister scarefest. “Smile” is a satisfyingly sinister scarefest.
October 2, 2022October 3, 2022heathershottakesLeave a Comment on “Barbarian” is bananas. “Barbarian” is bananas.
May 5, 2022May 5, 2022heathershottakesLeave a Comment on Olsen slays in disappointing “Doctor Strange in the Multiverse of Madness”. Olsen slays in disappointing “Doctor Strange in the Multiverse of Madness”.
March 18, 2022March 18, 2022heathershottakesLeave a Comment on “Deep Water” is drowning in silliness. “Deep Water” is drowning in silliness.
March 4, 2022March 5, 2022heathershottakesLeave a Comment on Stan and Edgar keep things “Fresh” and twisted in Cave’s directorial debut. Stan and Edgar keep things “Fresh” and twisted in Cave’s directorial debut.
January 2, 2022January 4, 2022heathershottakesLeave a Comment on “The Lost Daughter” is strong and sluggish, but Colman is stellar. “The Lost Daughter” is strong and sluggish, but Colman is stellar.
November 4, 2020November 4, 2020heathershottakesLeave a Comment on “His House” is brutal, high-brow horror. “His House” is brutal, high-brow horror.
June 5, 2020June 5, 2020heathershottakesLeave a Comment on “Shirley” boasts Moss’s best performance to date. “Shirley” boasts Moss’s best performance to date.
January 17, 2019heathershottakesLeave a Comment on “Glass” is broken, dull and downright disappointing. “Glass” is broken, dull and downright disappointing.
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