September 13, 2021September 14, 2021heathershottakesLeave a Comment on Wan’s “Malignant” is pure madness. Wan’s “Malignant” is pure madness.
August 31, 2021September 1, 2021heathershottakesLeave a Comment on “Candyman” is a sleek and sinister discourse. “Candyman” is a sleek and sinister discourse.
August 21, 2021August 21, 2021heathershottakesLeave a Comment on “The Protége” misfires with disappointment. “The Protége” misfires with disappointment.
August 20, 2021August 21, 2021heathershottakesLeave a Comment on Surrealist, unapologetic and totally strange, “Annette” is hard to forget. Surrealist, unapologetic and totally strange, “Annette” is hard to forget.
August 14, 2021August 14, 2021heathershottakesLeave a Comment on “Don’t Breathe 2” is highly problematic in many ways. “Don’t Breathe 2” is highly problematic in many ways.
August 12, 2021August 12, 2021heathershottakesLeave a Comment on “Free Guy” is a clever, colorful and comical original concept. “Free Guy” is a clever, colorful and comical original concept.
August 8, 2021August 8, 2021heathershottakesLeave a Comment on Getting “Old” was rough enough already. Getting “Old” was rough enough already.
August 6, 2021August 6, 2021heathershottakesLeave a Comment on “The Suicide Squad” is the DC spectacle we’ve been waiting for — and it’s fun as hell. “The Suicide Squad” is the DC spectacle we’ve been waiting for — and it’s fun as hell.
August 1, 2021August 1, 2021heathershottakesLeave a Comment on “Jungle Cruise” stays afloat thanks to a charismatic cast. “Jungle Cruise” stays afloat thanks to a charismatic cast.
July 16, 2021July 16, 2021heathershottakesLeave a Comment on “Space Jam: A New Legacy” is not a slam dunk. “Space Jam: A New Legacy” is not a slam dunk.
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